First Nations Dialogues
January 5-12 2019 in Lenapehoking (New York City)
This is an Indigenous led program. All are welcome.
The First Nations Dialogues Lenapehoking/New York, is a series of Indigenous led performances, discussions, workshops and ceremony. It is an initiative that provides unprecedented exposure, and a focus upon Indigenous performing arts and artists based in Canada, the U.S., and Australia in partnership with multiple contemporary live performance platforms across the spectrum of New York City. First Nations Dialogues kick-starts the development of the groundbreaking Global First Nations Performance Network (GFNPN), a pilot initiative focused on cultural change through the commissiong, touring, and presenting of Indigenous performance and building demand and capacity for the same within the presenting sector.
Running January 5 - 12, First Nations Dialogues is in partnership with The Lenape Center, Amerinda, American Indian Community House, Abrons Arts Center, American Realness, Danspace Project, La MaMa, Performance Space New York, Safe Harbors Indigenous Collective, Under the Radar, the Association of Performing Arts Presenters (APAP), and the International Society for the Performing Arts (ISPA).
First Nations Dialogues Lenapehoking/New York is organized by Emily Johnson, Vallejo Gantner and BlakDance
Programs are public except where noted.
Tëmikèkw, An honoring and welcome gathering hosted by First Nations Dialogues with The Lenape Center
January 5th: 12:30-4pm
131 E. 10th St.
New York, NY 10002
Hosted by First Nations Dialogues with The Lenape Center, presented at Danspace Project
First Nations Dialogues commences in Lenapehoking, the Lenape homeland; through protocol and ceremony, welcoming global First Nations leaders, artists, and allies. The afternoon honors leaders and grandmothers of Indigenous theater: Muriel Miguel, Gloria Miguel, and Deborah Ratelle of Spiderwoman Theater and Diane Fraher (Osage/Cherokee) of Amerinda. The SilverCloud Singers will be led by Kevin Tarrant of the Hopi and HoChunk Nations; performances by Laura Ortman of the Apache Nation and fancy shawl dancer, Anatasia McAllister of the Colville Confederated Tribes and Hopi Nation.
All are welcome to join in this afternoon of exchange, performance offerings, and feast.
First Nations Dialogues acknowledges with great gratitude the naming of this gathering, Tëmikèkw.
First Nations Dialogues: Global First Nations Performance Network (GFNPN) workshops and discussions
January 6th, 7th, 8th
Abrons Art Center
466 Grand St.
New York, NY 10002
Closed work sessions for presenters in the GFNPN and First Nations Artists focused on creating a new pillar of much-needed infrastructure and resources for Indigenous artists and developing education systems and protocols for presenting organizations.
This transnational network is designed to create new opportunities for production and dissemination of Indigenous performance internationally, to overcome the historic under-representation of such work in the U.S. and the dearth of support for international artistic exchange between Indigenous communities globally. The Global First Nations Performance Network is an unprecedented initiative that seeks understanding and collaboration between Indigenous artists and their ally organizations around the world.
First Nations Dialogues: KIN
January 5th-10th, see details below
Performance Space New York
150 1st Ave
New York, NY 10009
KIN centers radical forms of care, consent, reciprocity, and love. For KIN, Johnson invites five First Nation Australian artists and local NYC-based elder Muriel Miguel from the Kuna and Rappahannock Nations to share performance works and related conversations, engaging practices of kinship and power. These artists and their Indigenous knowledge systems work through generosity and acknowledgment of present and past to transmute injustice and grief. They offer a commitment and ask for participation toward a shared, healing future.
Curator: Emily Johnson
With Joshua Pether, S.J Norman, Mariaa Randall, Genevieve Grieves, Paola Balla, Muriel Miguel.
Produced by Performance Space New York in partnership with First Nations Dialogues, BlakDance, Global First Nations Performance Network, and American Realness. Supported by the Barragga Bay Fund with additional support by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
Performance | U.S. Premiere
January 5 | 7pm
January 6 | 3pm
$15/Free for First Nations people
KIN’s series of performances will kick off with dancer/choreographer Joshua Pether, who is of Kalkadoon heritage but lives on Noongar country in Western Australia, and his work Jupiter Orbiting (January 5 & 6), an immersive exploration of personal identity via science fiction narrative and a visceral combination of movement, sound, and video. Jupiter Orbiting, involves an immersive sci-fi narrative, which invites the viewer into a powerful encounter with dissociation and trauma.
Paola Balla, Genevieve Grieves, Emily Johnson
January 6 | 5pm
January 8 and 10 | 4pm
Free with RSVP
Kin Conversation 1: Center of Center of Center
Kin Conversation 2: Uqamaltaciq, the weight of something
Kin Conversation 3: Qailluqtarr, to act, change or deal with things in various ways - some of which are hard to explain
Guided by First Nations artists and scholars—Paola Balla, a Wemba-Wemba and Gunditjimara woman based in Melbourne; Genevieve Grieves, a Worimi woman from Southeast Australia based in Melbourne; and Emily Johnson, a Yup’ik woman from Alaska based in New York City—this series of conversations threads through KIN and, like KIN, it weaves through trauma, violence, and history with a generous resolve for the present and future—a commitment to generosity, positive motion, and the kind of deep love that moves forward like the undercurrent of the East River, the Birrarung, the Mnisose. Audiences are encouraged to attend all three conversations if possible, as they are accumulative.
Spiderwoman Theater: Muriel Miguel
Pulling Threads Fabric Workshop
January 7 | 3-9pm
Free with RSVP
Led by Muriel Miguel of the Kuna and Rappahanock – one of the founders of the legendary Indigenous women’s theater company Spiderwoman Theater – the Pulling Thcreads Fabric Workshop invites participants to share stories and listen, to stitch together that which has been ripped apart, through storytelling and quilting and to engage with personal and community stories of violence, healing, and ultimately, renewal. The workshop is open to female identified people only.
Cicatrix 1 (that which is taken/that which remains)
Performance | World Premiere
January 8 | 7:30pm
S.J Norman is a non-binary Koori live artist and writer. Cicatrix 1 (that which is taken/that which remains), specially made for KIN, is a chain of actions, woven from the syncretic tissues of buried rites for mourning and remembrance. In particular, Cicatrix 1 considers the collision of Indigenous, queer and trans bodies with state power, specifically the abuse and obliteration of those bodies by the carceral state. A long- durational ritual unfolding over approximately 4 hours, Cicatrix 1 begins with the lighting of a medicinal fire and concludes with an outdoor, midnight procession.
Performance | U.S. Premiere
January 10 | 2pm, 6pm, 8pm
Mariaa Randall belongs to the Bundjalung and Yaegl people of the Far North Coast of New South Wales, Australia. Footwork/Technique is a movement piece of contemporary Aboriginal footwork and dance legacies. It is presented as an art in motion, as a form of Land Acknowledgment, as a reference to time and a comment on attempted colonization.
First Nations Dialogues: Reflections of Native Voices
January 8th: 6pm
January 9th: 5pm
Great Jones Hall
47 Great Jones Street
New York, NY 10012
Curated by Murielle Borst-Tarrant (Kuna/Rappahannock )
Presented by La MaMa Experimental Theater Club through La MaMa’s Indigenous Initiative, Safe Harbors Indigenous Collective and Global First Nations Performance Network
An informal reading of plays by First Nations artists including legendary Spiderwoman Theater led by Muriel Miguel and Glorial Miguel of the Kuna and Rappahannock Nations; poet, playwright, and scholar Carolyn Dunn who is of Cherokee, Muscogee Creek, Seminole, Cajun, French Creole, and Tunica-Biloxi descent; Ed Bourgeois, who is French and Mohawk, managing director of PA'I Foundation, a Honolulu-based hālau hula and co-creator of Raven's Radio Hour and Alaska Native Playwrights Project; Kuna/Rappahannock/Hopi/HoChunk artist, actor, singer and songwriter Henu Josephine Tarrant; Australian actor, narrator and director Rachael Maza Artistic Director of ILBIJERRI Theatre Company, Yidinji from North Queensland and Meriam from the Torres Strait Island of Mer; and Choctaw/Creek/Delaware playwright Nicholson Billey.
First Nations Dialogues: Kinstillatory Mappings in Light and Dark Matter
January 9th: 7-10pm
Abrons Art Center
466 Grand St.
New York, NY 10002
Presented by Abrons Art Center in partnership with First Nations Dialogues and Global First Nations Network
A ceremonial fire outdoors in the amphitheater at Abrons Art Center centering Indigenous protocol and knowledge. Sit by the fire and welcome the evening with neighbors, stories, song, dance, and food (bring some to share). The fire for First Nations Dialogues includes performances by Allison Akootchook Warden, an Iñupiaq new genre artist; dåkot-ta alcantara-camacho whose work spans ritual activation, performance art, installation, contemporary indigenous movement, and cultural responsibility; and Thomas E.S. Kelly, a Bundjalung-Yugambeh/Wiradjuri/Ni-Vanuatu multi-disciplinary artist and choreographer. Food generously prepared by Quentin Glabus, Frog Lake Cree First Nations from Alberta, Canada and member of I-Collective.
First Nations Dialogues: Serpentine by Daina Ashbee
January 9th: 10pm
January 10th: 10pm
January 11th: 1pm
66 E 4th Street
New York, NY 10003
Presented by La MaMa Experimental Theatre Club and American Realness in partnership with First Nations Dialogues, Global First Nations Performance Network
Serpentine vibrates the essence of Daina Ashbee’s dark and feminine choreographic practice. Exploring the occupation of space, time and attention, the cathartic work is based on repetition and instance. With simple imagery, slow and sensual movement and a disturbing and powerful original electric organ composition by Jean-Francois Blouin, Serpentine creates a haunting juxtaposition that escalates in its violence. Performed by Areli Moran.
First Nations Dialogues: Ktalëmskahëmòch, closed protocol ceremony
January 11th - 12th
Bear Mountain State Park
Hosted by First Nations Dialogues with The Lenape Center at Bear Mountain
Closed for First Nations artists and invited allies
STAY TUNED FOR MORE INFORMATION ON THESE EVENTS:
Brunch, Pitch Session, and Panel in partnership with Under the Radar and First Nations Dialogues
Attendance at the First Nations Dialogues and Global First Nations Performance Network is self reliant and we really want you to come! If you are a First Nations artist and want more information please contact Tyler at email@example.com
The First Nations Dialogues and Global First Nations Performance Network has been initiated and led by Indigenous artists and organizers from the US, Canada and Australia in order to support Indigenous performance work. We build on four years of convenings and conversation within formal and informal networks in the Indigenous and non-indigenous performance sectors. We build on forty years of vibrant dialogue between Australian Aboriginal and Torres Strait Islander and First Nations North American contemporary theatre and dance leaders.
The First Nations Dialogues is led by a transnational consortium of Emily Johnson (USA), Vallejo Gantner (USA), BlakDance (Australia), Angela Flynn/Kukuni Arts (Australia), Jacob Boehme (Australia), ILBIJERRI Theatre Company (Australia), Indigenous Performing Arts Alliance (Canada) and is creating the Global First Nations Performance Network (GFNPN).
First Nations Dialogues New York January 2019 has received funding support from
Barragga Bay Fund; BlakDance; Australia Council for the Arts; Arts Queensland; Creative Victoria; Native Arts and Cultures Foundation; Jerome Foundation; Amerinda; Map Fund supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation.
We acknowledge this gathering is held in Lenapehoking, the homeland of Lenape people. We acknowledge and pay respect to Lenape elders, ancestors, and people past, present, and future.