In Conversation: Jeffrey Gibson, Laura Ortman, Emily Johnson, and Raven Chacon

March 3, 2021

This program from Socrates Sculpture Park's Jeffrey Gibson Screening Series features artist Jeffrey Gibson (Choctaw Cherokee) in conversation with three Indigenous creatives – Laura Ortman (White Mountain Apache), Emily Johnson (Yup'ik), and Raven Chacon (Navajo).

Gibson collaborated with each artist on performative activations of his monument sculpture ‘Because Once You Enter My House It Becomes Our House' – a massive kaleidoscopically-patterned ziggurat honoring Queer and Indigenous peoples. Gibson said, “I knew immediately that I wanted to work with Laura, Emily, and Raven on programming for ‘Because Once You Enter My House It Becomes Our House.'” He continued “They are all established artists in their own right, and I have so much respect for how they each use process-based work to extend cultural philosophies in new ways.”

The discussion is moderated by Socrates’ Curatorial Assistant, danilo machado.

BIOS

Jeffrey Gibson is an interdisciplinary artist based in Hudson, New York. His artworks make reference to various aesthetic and material histories rooted in Indigenous cultures of the Americas, and in modern and contemporary subcultures. Gibson is a recipient of a 2019 MacArthur Foundation “Genius” grant.

A soloist and vibrant collaborator, Laura Ortman (White Mountain Apache) works across recorded albums, live performances, and filmic and artistic soundtracks, and has collaborated with artists such as Tony Conrad, Jock Soto, Raven Chacon, Nanobah Becker, Okkyung Lee, Martin Bisi, Caroline Monnet, Martha Colburn, Tanya Lukin LInklater and Loren Connors. An inquisitive and exquisite violinist, Ortman is versed in Apache violin, piano, electric guitar, keyboards, and pedal steel guitar, often sings through a megaphone, and is a producer of capacious field recordings.

Emily Johnson is an artist who makes body-based work. She is a land and water protector and an activist for justice, sovereignty and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow and recipient of the Doris Duke Artist Award, she is based in New York City. Originally from Alaska, Emily is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and installations, engaging audiences within and through space, time, and environment—interacting with a place’s architecture, peoples, history and role in community.

Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with Postcommodity, Chacon has exhibited or performed at Whitney Biennial, documenta 14, REDCAT, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project (NACAP). He is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, and the American Academy’s Berlin Prize for Music Composition. He lives in Albuquerque, NM.

danilo machado is a poet, curator, and public programmer living on occupied land. Interested in language’s potential for revealing tenderness, erasure, and relationships to power, danilo is the curator of the exhibitions ‘Otherwise Obscured: Erasure in Body and Text’ (Franklin Street Works, 2019-20) and ‘support structures’ (The 8th Floor Gallery/Virtual, 2020-21). A 2020-21 Poetry Project Emerge-Surface-Be Fellow, their writing has been featured in Hyperallergic, Brooklyn Rail, ArtCritical, TAYO Literary Magazine, among others. danilo is the co-founder and co-curator of the reading series Maracuyá Peach and the chapbook/broadside fundraiser already felt: poems in revolt & bounty. They are working to show up with care for their communities.